Sometimes in life, when you fall down, you felt like you don’t have the strength to get back up. DO you think you have hope? Because I tell you, I’m down here. I’ll try 100 times to get up and if I failed 100 times, if I failed and I give up, do you think I maybe gonna give up. No! If I failed, I will try again and again and again, but I want you to know it is not the end. It matters how you gona finish. Are you gonna finish strong? And you will find that strength to get back up.
Don’t ever give up!
When thing goes wrong as they sometimes will.
When the roads you are trudging seems all uphill.
When you felt low and the stress is high and you want to smile but all you do is sigh.
When worries are getting you down a bit.
By all means believe and don’t quit.
Success is failure turned inside out…spirits gift in the cloud of doubts.
You can never tell how close you are, it may be near when it seems far.
Trust in the powerful strength of believing when you are hardest hit.
Don’t ever forget that…
It’s when things go wrong that you must never quit.
The 1/1.63" (~0.45cm²) sensor itself has been redesigned and an additional layer of condensing microlenses added to offer increased sensitivity and saturation figures, resulting in an improvement in dynamic range. The user interface has also been revised, with a GF1-style clickable control wheel replacing the LX3's joystick, making it easier to change settings. Most significantly the lens range has been extended to offer a more flexible 24-90mm equivalent range while retaining a bright F2.0-3.3 maximum aperture range (it also matches the LX3's lens brightness over the shared focal length range).
We were invited to the pre-launch event for the LX5 and were able to spend over a day shooting with the camera. The units were pre-production to allow last-minute changes if any issues became apparent, but already felt very finished. First impressions are that Panasonic has gently revised the camera - improving the grip and applying the handling lessons they've learned from the GF1. As before the external aspect ratio switch encourages use of this feature (along with the knowledge that the pixel count won't be excessively reduced by doing so). Movie mode has been tweaked, now offering manual control of shutter speed and aperture, along with the ability to zoom during movie creation.
It's the addition of the click wheel and theGF1-style handling that was most striking or, more accurately, wasn't - I spent around twelve hours shooting with the LX5 without particularly noticing the user interface. The loss of the joystick meant I found the 'quick menu' slightly less quick to use but this was more than made up for by the ability to change aperture or exposure compensation without shifting my hands out of the shooting position. Based on what I know of the LX3 and what I've seen of the LX5, it will be a difficult camera to get near, when a production example becomes available.
Here's a SNEAK Preview!
Kindly surf Google for more further detail. So,how's it?
Are u READY???
I'm going to this! Wootz!
The 1/1.63" (~0.45cm²) sensor itself has been redesigned and an additional layer of condensing microlenses added to offer increased sensitivity and saturation figures, resulting in an improvement in dynamic range. The user interface has also been revised, with a GF1-style clickable control wheel replacing the LX3's joystick, making it easier to change settings. Most significantly the lens range has been extended to offer a more flexible 24-90mm equivalent range while retaining a bright F2.0-3.3 maximum aperture range (it also matches the LX3's lens brightness over the shared focal length range).
We were invited to the pre-launch event for the LX5 and were able to spend over a day shooting with the camera. The units were pre-production to allow last-minute changes if any issues became apparent, but already felt very finished. First impressions are that Panasonic has gently revised the camera - improving the grip and applying the handling lessons they've learned from the GF1. As before the external aspect ratio switch encourages use of this feature (along with the knowledge that the pixel count won't be excessively reduced by doing so). Movie mode has been tweaked, now offering manual control of shutter speed and aperture, along with the ability to zoom during movie creation.
It's the addition of the click wheel and theGF1-style handling that was most striking or, more accurately, wasn't - I spent around twelve hours shooting with the LX5 without particularly noticing the user interface. The loss of the joystick meant I found the 'quick menu' slightly less quick to use but this was more than made up for by the ability to change aperture or exposure compensation without shifting my hands out of the shooting position. Based on what I know of the LX3 and what I've seen of the LX5, it will be a difficult camera to get near, when a production example becomes available.
Here's a SNEAK Preview!
Kindly surf Google for more further detail. So,how's it?
Are u READY???
I'm going to this! Wootz!
Kina Grannis - Valentine from Ross Ching on Vimeo.
